Wave_1_Cover_Core_Final_09 And by 8 previous reviews, I of course mean a gazillion. When we put out the call for You Pick It Reviews, Numenera was one of the big ones on the list. I half considered letting the many other reviews:



Numenera Reviews On Google (Too many to list individually)

and videos out there just speak for it, but as I looked through my copy, I couldn’t help but write about it. Cook catches me in his introduction, and in the incredible art, when he mentions his inspiration from Moebius and his desire for a simple, yet mechanical, game that focuses on the narrative but doesn’t ditch the mechanics. So here is my review of Numenera to add to the pile. I’m going to try to be concise but complete, since there are many other examples out there.

What It Is And Isn’t

NumeneraImageForReview (8) Numenera is Monte Cook’s vision of an idea that he had been toying with for his entire career. The setting is the first thing that will catch many people, but the game system is something that will feel familiar but new to most gamers. Set a billion years in the future, the earth has seen the rise and fall of the world 8 times over and is currently in the Ninth World. The world is big and odd and wonderful and weird, and the people living there now know that they don’t know everything about it. The planet holds the incredible secrets of the past civilizations and many have been unlocked, but no matter how many wonders of the past are recovered there will always be more. The system feels reminiscent of d20 creations only in the fact that it uses a d20 and there is something akin to classes. However, much of the mechanical complexity is removed from the base system and every crunchy element of a character is tied into something that “makes sense” as to why it works. I found the system incredibly easy to understand and could see drifting it over to replace the systems in Pathfinder, Shadowrun, or other traditional games with an action packed feel tied into the narrative.  The system can be removed from the setting, but the book intertwines them together in a major way that makes it feel like they belong together inherently. There is unlimited room for stories and themes within the Ninth World setting, and nothing really feels out of place here, but at it’s core Numenera is a game about digging into the past and experiencing the oddity of this strange new world.

Character Creation

Character Creation in Numenera is a fairly easy process. In its very simplest form, it boils down to filling in blanks in the sentence “I am an adjective noun who verbs.” The blanks are all written down in the book and let you drop in the mechanical elements easily based on the options you choose.


NumeneraImageForReview (1)

Adjective – The adjectives are character descriptors like Charming, Graceful, Intelligent, Stealthy, etc.  and give you various options to fit that descriptor. Graceful makes you more mechanically agile, grants you skills that involve balance and performing, and gives you some points in your speed and agility.

Noun – The Noun is your Character Type, which is essentially a class. There are only 3. This seems odd, and being a person who likes lots and lots of choice I had to wrap my head around this limited selection. The three types are fairly broad in their implementation. They are Glaive (Warrior), Nano (Wizard-like), and Jack (rogue-like). The thing that I had to come to understand was that these did not limit my thematic options. They provided good solid mechanical choices to let a character fight better or be better at magical type effects, but nothing prevented me from being a Rugged Nano or a Mystical Glaive and wrap more direct thematic elements of who and what and why into the character from there.

Verb – The final element in character creation is the verb, and in this case it is called the Focus. The focus is your character’s unique ability. Something that they do really well. It is suggested that no two people in the party have the same focus. Focuses are things like Commands Mental Powers, Explores Dark Places, Fuses Flesh and Steel, Wields Power With Precision, etc. They give you different abilities as you go up in tiers (levels, but broader. There are 6.) and lets you have a special thing all your own.

Character creation is not just these 3 words and you take what you are given. These 3 help determine  what types of powers you have access to and your base points in attributes of Might, Intellect, and Speed. These attributes don’t affect rolls, but they are point pools you use to activate the powers and abilities you gain from your type, focus, descriptors, and some of the tech you will use. You can also apply 3 points from a stat pool as “effort”. Trying to push down a wall on an enemy? Make it easier by applying levels of Effort from your Might pool. You’ll be physically exhausted for a while, but you succeeded by pushing yourself, not just because of luck.

NumeneraImageForReview (3) Finally, the other thing that makes up your character is equipment and bits of tech (called cyphers, artifacts, and generally Numenera).  These aren’t  just magic items that give +1. These are things that enable extra, unique powers. Things like the Analyzing Shield, which is transparent and points out weak points in the enemy to increase damage. The Temporal Viewer allows a wearer to look into the past and see something that occurred in that area before. The little tech bits are unique and interesting, and they are meant to be found, lost, used up, and regained. The big ones become integral parts of the characters. The bits of tech in Numenera feel like the best bits of Shadowrun equipment lists, but with the same ease of use as the rest of the system displays.


Let’s get talking about the system. The one critique that I have heard about Numenera’s system is that it feels like a standard d20 game. In some ways it does, but what I think those critiques are missing out on is the fact that it feels like d20 games should feel. The system is simple and there is one very nifty element that can’t be ignored. The players are the only ones to ever roll. It goes like this:

  • Player rolls a d20 against a Task Difficulty between 1 and 10. They have to beat the target number (which is always 3 times the difficulty. Difficulty 1 is target number 3, difficulty 8 is target number 24.)
  • The skills, powers, tech, and effort applied from their stat pools lower the difficulty, even down to 0 difficulty. Environmental factors or complications can raise it or lower it (taking cover, shooting at something behind cover, etc.).
  • That’s it. It’s easy. It handles everything. Even combat? Yes, check it out…


  • When you attack, you roll against the opponent’s level, which is their task difficulty number.
  • When you get attacked, you roll to dodge or block, same d20.
  • Fight a level 5 creature, you have to beat 15 on the roll to do damage or avoid attacks.
  • Damage is static, so a successful attack deals the damage of the attack.

Other Situations

  • It works the same in other situations as well. Try to negotiate with an NPC, the target number is their level.
  • NPCs and enemies sometimes have modifications to show that they are better in some ways. I.E. Perception is at Level 3, so that they are better at noticing things.
  • An enemy or NPC is as easy to write up as “Ghabhail: level 5, level 6 with polearm; 2 points of Armor (damage reduction by 2).NumeneraImageForReview (2)

That’s pretty much it. There are powers and other abilities that add options, but they follow that same simple principle and make it easy for the dice to determine results and then get out of the way. What strikes me about this system is the fact that I can instantly see ways to include new things not written up. So I want a new enemy, easy to do. Do I want to make a new cypher that teleports in a way different to the one there, it’s a couple of sentences to change the narrative and the effect and doesn’t create a huge overbalancing issue.



The setting of Numenera is the Ninth World, a strange place where everything fits. There have been 8 previous worlds and their technology and abilities were grand and incredible beyond belief, sometimes. The Ninth World is very well detailed and laid out, filling the 100 or so pages dedicated directly to it. The races (humans and a whole lot of everything else you can image), the organizations (varied, absolute, and none control the entirety of anything), and the creatures, extra-dimensional visitors, alien visitors, demonic and god-like beings, and landscapes (any and everything), are NumeneraImageForReview (1)all written about in great evocative detail, but none of it locks anything else out or has any kind of supremacy or control over the entirety of existence. The past remains a mystery, there is always something different around the corner, and the world is big and unknowable in it’s entirety. What is believed or known in one place is not the truth elsewhere. There are no absolutes and that is awesome.  There is ample ground for any type of story you want to tell. The setting section of the book makes a great place to mine for information, but there was nothing there that I felt like I was tied to in my own games. The presentation of the setting is excellent, allowing for mystery to lie just beyond wherever you are now and the Game Master and players to change things as they see fit or need.


By now you can probably tell that I am pretty impressed with Numenera. I didn’t expect to be. When things get hyped up I have a small tendency to avoid them because I am endlessly being told how good they are. I didn’t back the kickstarter because of the hype around it. Now, I really wish I had just so my name could be in this incredible book.  The writing in Numenera changed my initial perceptions almost immediately. It seems like it was written with the intent of removing as many barriers to entry as possible. Picking up the base system was easy to grasp and the text tried to explain what was necessary to understand at that moment in a simple and concise way. NumeneraImageForReview (4)Descriptions of what powers and abilities did and meant were repeated in the various sections that housed them, so it wasn’t hard to get the general reminder when paging through the book and trying to understand character options. One great implementation was the sidebars. The rather large margins had side notes that referenced other places in the text. If it mentioned the Thrust ability in the text, the word was highlighted and the sidebar had a reference to the main listing for it. If a setting-specific creature was mentioned, I knew just where to find more information by looking to the side of the page. You can definitely see the influence of the modern age and information display in the design of the book. Small quotes were also used in the side of the book to provide a little flavor. The sidebars were easily ignorable though, mostly because the text color was slightly different and blended in.


NumeneraImageForReview (9) Amazing. That is the only way to sum up the art in Numenera.  The art in the book is incredibly evocative of the feel of the world. It was also packed into the book. There were very few pages without art. The odd, weird and mysterious are all played up in the pictures and there are a few subtle references to other genres, movies, tropes, and things that inspired the artists, or at least it seemed like there were. If that wasn’t the case, then the artists did a great job connecting with their audience.  The art fit many different genres and styles. Some art feels like it could fit in planescape, while some wouldn’t look out of place in superhero comics, renaissance paintings, or an episode of Aeon Flux, but it all felt like it belonged to the Ninth World. The art really helps buoy up the idea that anything can happen in this place. My only complaint would be that art gets re-used a bit in the pages. Something that exists on page 185 was used previously on page 74 or 112. However, that also helped the reference feel of the book.  The art is re-used when it helps illustrate something in the test. Having the art next to a character so that the GM doesn’t have to flip through a hundred pages to find it again would actually be very helpful as you reference something.


Final Take

I became entranced with Numenera and impressed by the simplicity and openness, at least once I got over the fact that there were only 3 “classes”. The type of thinking that creates those small criticisms quickly erodes when getting into the work. While a surface glance would seem to suggest that this is a very particular game in a very particular setting, a deeper reading makes you notice that those boundaries are past the edges of your perception and anything could happen within them. You could play a whole medieval society locked away in a secluded mountain range with no knowledge of the outside world and it would fit. You could have the Doctor show up for a while and it wouldn’t feel too out of place. It would change the feel of the game a bit (Doctor Who being a more concretely known element than much of what exists in the Ninth World), but it wouldn’t feel like it couldn’t exist there. Even the map (a nice large foldout map in the back and on many pages) hints that there is much beyond the borders of what is shown. Numenera is a book I would highly recommend picking up. The rules would be simple for a one-night game or a long campaign and everything about it just feels fun to play.

Have you already played or run Numenera? What are your impressions of it? What are some of your favorite elements or what did you dislike?

17 replies
  1. Chris Freeman
    Chris Freeman says:

    Our game group has found Numenera to be incredibly and easily adaptable to other games and have been playing a cyberpunk game set in New Orleans (Neo Orleans) in 2054 using the Numenera rules. We started with the playtest rules – we were in on the Kickstarter and contributed at a level that got us in on the playtest – but since have moved on to the published rules. It really is an amazing rule set. The GM runs the thing with nothing but a list of NPC names, some news items he’s created, and a skeleton of a plot outline. We as players have been building the story session by session and it’s been a blast.

    • John Arcadian
      John Arcadian says:

      That sounds awesome. I am going to be running some Numenera for some friends next weekend, but my mind has been going to how to port it into other situations. I’m curious. Do you keep the general glaive, nano, jack character types or did you make up new ones to fit themes in your game?

      • Chris Freeman
        Chris Freeman says:

        I don’t really view the character types in Numenera as being defined and bound “classes” if you will. I see them more as frameworks to hang a character concept on once combined with the descriptor and focus. For example, one of the characters I’ve written for the published setting is a Graceful Glaive who Murders but refer to him in-game as a “sword dancer” or there’s my Charming Jack who Howls at the Moon… because of his background he’s a former “carny” as the other characters know him, but little do they know he goes all Jeckyl & Hyde a few times a month.

        We did keep the standard character types for our cyberpunk game but ported in labels like “street mage”, “hacker”, etc. The game also has a distinctly Shadowrun feel so the numenera got renamed magic. Cyphers went out the window but since they’re a little more fleshed out in the published setting we’re trying to cook up a way to port them in. The whole thing is really sort of by the seat of our pants which is probably one of the elements that makes it so fun.

        • John Arcadian
          John Arcadian says:

          They felt like that to me as well. More like roles for things you do in the game than classes. Hey, want to be combat oriented, Glaive is the general category of that.

          Your game sounds nifty. I’d love to hear more about it and the ups and downs. I’ve got some yearning to hack into this myself. Cyphers seem to be perfect for a cyberpunk game. Little gadgets that give you a bit of an edge in a few places. Knock some off the list and get some good thematic changes and I can see them fitting perfectly.

  2. Matthew J. Neagley
    Matthew J. Neagley says:

    I’m intrigued by a single detail of the rules system and I don’t intend to buy and dig through a 400 page book to find out the answer so maybe you can enlighten me:

    DC is between 1 and 10 and is modified by player abilities, powers, gear etc…
    After all the mods to the DC are calculated, we then multiply the DC by three and try to beat it with a D20 roll.

    This is correct yes?

    Is there post-multiplication modification of target number or roll of any type? And wouldn’t these modifications usually be less than + or – 3 or they would have just been applied to the DC at a third of their strength anyway?

    Seems to me that the multiplying by 3 step would be a pain in the ass and without any post multiplication modification of the roll, there’s precious little difference between the existing system and trying to beat the raw un-multiplied DC with a d6 roll, right? (yeah technically there’s some VERY minor differences in the probabilities, but the system could have been built around a 16.67% DC step vs a 15% DC step and it would have gotten rid of that ridiculous multiplication step). So what do I not see from these types of reviews? What’s the key that makes using the x3 and d20 a better option?

    • John Arcadian
      John Arcadian says:

      It does seem odd at first, and I don’t have your mathematical grounding. You could probably use other dice, and a d10 or d6 would probably yield a simliar result. The x3 isn’t really hard though, once you think about it. Two purposes are served.

      1. It is easy to think of things as difficult between 1 and 10.
      2. All modifications happen before the roll, so there isn’t anything that makes you better at the task, the task is easier for you.

      I think the d20 is partially to make this feel like it has the weight of older games. A lot of smaller, independent games eschew use of the d20 so that they feel different. I could see that having been the case here, but choosing the D20 because it feels familiar and is tied to a certain idea of gaming.

      Monte Cook has this to say about it:


    • John Arcadian
      John Arcadian says:

      One other thing I remembered after seeing your comparison of the die roll probabilities is the criticals in Numenera. 19 and 20 are always successes, but 17 and 18 have success factors as well, though not as large. 1 is a botch, but it allows a free GM Intrustion, something I didn’t get into much in the article. The GM crafts the situation, but they can throw in a complication that raises the task difficulty if they give the players XP for it. The player botches and the GM gets one for free.

  3. ChrowX
    ChrowX says:

    after all the hype about how intricate and amazing the setting was going to be, what with it being some foreign, unexplored shadow of a shadow of a world we would barely be able to comprehend due to billions of years of new civilizations rising and falling, and so on.. It’s really quite disappointing to hear that it’s a fairly bog-standard fantasy setting that can just be tossed out all together in favor of whatever sort of setting you want to play.

    • John Arcadian
      John Arcadian says:

      It’s not really the type of setting that gets tossed out in favor of something else. It’s more the sort of setting that has these broad walls and lots of creative room within them. The setting itself is really well detailed and there are lots of really nuanced bits of it. The setting doesn’t necessitate anything though. It’s not the sort of highly cohesive world like Faerun where the story is already there and what happens in one place affects things elsewhere. The best way I can think of it is to steal from HHGTTG:

      “The Ninth World is big. Like really, really big. You just won’t believe how vastly, hugely, mindbogglingly big it is. I mean, you may think it’s a long way down the road to the chemist’s, but that’s just peanuts to the Ninth World.”

      If you’ve ever seen the cartoon Thundarr The Barbarian, Wizards or any story crafted to not center around the heroes completely, that’s kind of the feel of it. The actions of the heroes are important, but there are plenty of things going on elsewhere in the world. That’s how it has the capacity to fit anything. The primitive lizard people society could exist a few miles away from the advanced alien base that has a matter transponder and launches ships into the sky frequently.

    • 77IM
      77IM says:

      It’s not bog-standard; it’s excellent.

      The setting pitched in the kick starter was really bad sci-fi. What was delivered, instead, was astonishingly good fantasy.

      Pick up Numenera for the setting.

  4. The_Holy_Skwervo
    The_Holy_Skwervo says:

    I had to describe Numenera to a friend quickly one day, so I told him that Thundarr the Barbarian and Doctor Who had a head on collision, and the wreckage got scattered across the Forgotten Realms.

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